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Welcome! ANZEG exists to promote, preserve and
inspire the art of embroidery in New Zealand.
ANZEG | ASSOCIATION OF NEW ZEALAND EMBROIDERERS' GUILDS INC
ANZEG Virtual Exhibition 2020
Welcome to ANZEG's first Virtual Exhibition, Focus On Stitch. Enjoy
ANZEG Virtual Exhibition viewers choice
The winner of the Viewers' Choice has been decided. Congratulations to Claire North. Her entry, One Fish, Two Fish, has won by popular vote.
Thanks to everyone for voting and supporting the artists.
Thanks to everyone for voting and supporting the artists.
ANZEG Virtual Exhibition Winners.
Congratulations to our prize winners.
ANZEG Virtual Exhibition Sponsors
A big thank you to our very generous sponsors.
ANZEG Virtual Exhibition 2020: Contemporary section
Virtual Focus On Stitch:
Contemporary section
INNOVATION
Contemporary section
INNOVATION
WINNER: RING NECKED VASE BIRD by Dawn Nicholl, Whangarei Guild.
Also awarded the ANZEG Extensions Prize.
320x430x160mm - Front/Back views.
Technique: Surface embroidery in wool and rayon on a pottery vase
Inspiration: Inspired by the shape of the vase; the 'pulsating energy' of colour
Artist’s statement: I have drawing imaginary birds and spotted this vase in an opp shop which looked like a sitting bird. Purchased the vase. Did some drawings. Don't know why opp shops give me ideas. Her she is, a Ring Necked Bird Vase.
320x430x160mm - Front/Back views.
Technique: Surface embroidery in wool and rayon on a pottery vase
Inspiration: Inspired by the shape of the vase; the 'pulsating energy' of colour
Artist’s statement: I have drawing imaginary birds and spotted this vase in an opp shop which looked like a sitting bird. Purchased the vase. Did some drawings. Don't know why opp shops give me ideas. Her she is, a Ring Necked Bird Vase.
WINNER: RING NECKED VASE BIRD by Dawn Nicholl, Whangarei Guild.
View from each side and the bird's face.
As the highest scoring member of Extensions in the contemporary, Dawn is also awarded the ANZEG Extensions Prize.
As the highest scoring member of Extensions in the contemporary, Dawn is also awarded the ANZEG Extensions Prize.
2nd: THE TRAVELLING OPTICIAN'S KIT by Kim Wood, North Shore Guild.
3@220x310mm; 1@220mmsq; 260x100x100x 2260mm long
Technique: Counted and surface embroidery and beading
Inspiration: Inspired by John Jacob Bausch and his wife and their combined passions for perfect vision and beautiful embroidery.
Artist’s statement: "John Jacob Bausch believed all people had a right to good vision. Therefore, he travelled around the state where he lived to provide an opportunity for vision testing to the wider community. John was away from home for months at a time & his wife, Anna, missed him dearly. To fill the lonely days, she stitched the eye charts he used daily, & thought of him with every loving stitch.
Technique: Counted and surface embroidery and beading
Inspiration: Inspired by John Jacob Bausch and his wife and their combined passions for perfect vision and beautiful embroidery.
Artist’s statement: "John Jacob Bausch believed all people had a right to good vision. Therefore, he travelled around the state where he lived to provide an opportunity for vision testing to the wider community. John was away from home for months at a time & his wife, Anna, missed him dearly. To fill the lonely days, she stitched the eye charts he used daily, & thought of him with every loving stitch.
2nd: THE TRAVELLING OPTICIAN'S KIT by Kim Wood, North Shore Guild.
• Adult Eye Chart (Herman Snellen 1862)
• Paediatric Eye Chart (Precision Vision)
• Paediatric Eye Chart (Precision Vision)
2nd: THE TRAVELLING OPTICIAN'S KIT by Kim Wood, North Shore Guild.
Details from eyesight charts on previous slide.
• Amsler Grid (Marc Amsler 1945)
• Amsler Grid (Marc Amsler 1945)
2nd: THE TRAVELLING OPTICIAN'S KIT by Kim Wood, North Shore Guild.
• Braille Chart (Louis Braille 1824)
2nd: THE TRAVELLING OPTICIAN'S KIT by Kim Wood, North Shore Guild.
• Colour Blindness Plates (Prof Shinobu Ishihara 1917)
A GIFT FOR YOU by Kim Wood, North Shore Guild.
107 lenses 40mm dia; book 90x120x55mm; box 260x320x70mm
Technique: Counted and surface embroidery, Coptic book binding
Inspiration: Optician's dioptic, eyecharts, stitch dictionaries
Artist’s statement: Dear John, A gift for you. Your loving wife, Anna xo. John Jacob Bausch 1830-1926 (of Bausch and Lomb) and his wife Anna loved each other dearly, however, both had passions outside their marriage. John, a lens grinder, had a vision of making a range of spectacles available to all of society; whilst Anna, a simple homemaker, loved to explore the intricacies of embroidery. When passions entwine beauty results.
Technique: Counted and surface embroidery, Coptic book binding
Inspiration: Optician's dioptic, eyecharts, stitch dictionaries
Artist’s statement: Dear John, A gift for you. Your loving wife, Anna xo. John Jacob Bausch 1830-1926 (of Bausch and Lomb) and his wife Anna loved each other dearly, however, both had passions outside their marriage. John, a lens grinder, had a vision of making a range of spectacles available to all of society; whilst Anna, a simple homemaker, loved to explore the intricacies of embroidery. When passions entwine beauty results.
A GIFT FOR YOU by Kim Wood, North Shore Guild.
Each lens is stitched both sides and matches a page in the handmade book.
3rd: CAVE PAINTING AND PYTHAGORAS by Sabine Galvin, Wellington Guild.
530x295mm
Technique: Mono printing on cotton.
Inspiration: Cave paintings and the quote.
Artist’s statement: I wanted to make something which included the quote from Pythagoras: "Consciousness sleeps in the stone, dreams in the plant, awakes in the animal and slowly becomes aware of itself in man", and the cave paintings seemed like an appropriate backdrop to it.
Technique: Mono printing on cotton.
Inspiration: Cave paintings and the quote.
Artist’s statement: I wanted to make something which included the quote from Pythagoras: "Consciousness sleeps in the stone, dreams in the plant, awakes in the animal and slowly becomes aware of itself in man", and the cave paintings seemed like an appropriate backdrop to it.
GRATITUDE by Linda Inglis, Tauranga Guild.
Judge Jenny Hunter's Merit Prize
575x260mm
Technique: Surface stitch
Inspiration: Inspired by my son's trip to Anapurna 2019
Artist’s statement: My son's inaugural trip to Nepal inspired me to work innovatively using lace, paint and thread. The gratitude I felt while producing this work is within the process, using his contemplations as a focus. I hope the viewer also finds harmony as they reflect on the concepts within the work.
575x260mm
Technique: Surface stitch
Inspiration: Inspired by my son's trip to Anapurna 2019
Artist’s statement: My son's inaugural trip to Nepal inspired me to work innovatively using lace, paint and thread. The gratitude I felt while producing this work is within the process, using his contemplations as a focus. I hope the viewer also finds harmony as they reflect on the concepts within the work.
COUNTRYSIDE OR WASTE LAND? by Shirley Pygott, Warkworth Guild.
175x230mm
Technique: Surface stitch and mixed media
Inspiration: South Island country scenes and experiments in recycling kitchen waste
Artist’s statement: We love our countryside, however if we don't find innovative ways to use and recycle the rubbish we throw out every day, our countrysides will end up as wastelands. This piece explores using waste to make something beautiful instead of automatically throwing it in the bin.
Technique: Surface stitch and mixed media
Inspiration: South Island country scenes and experiments in recycling kitchen waste
Artist’s statement: We love our countryside, however if we don't find innovative ways to use and recycle the rubbish we throw out every day, our countrysides will end up as wastelands. This piece explores using waste to make something beautiful instead of automatically throwing it in the bin.
NEW ZEALAND SUMMER by Susan Swann, Wellington Guild.
250mm sq
Technique: Silk ribbon on linen
Inspiration: Kurun Warun - Aboriginal artist and musician
Artist’s statement: Contemporary aboriginal artists use a variety of line and dot techniques to create their art. I particularly like the line and negative space technique used by Kurun Warun and used variegated silk ribbon in a non-standard way to replicate the technique for this idea of sand, sea and sky.
Technique: Silk ribbon on linen
Inspiration: Kurun Warun - Aboriginal artist and musician
Artist’s statement: Contemporary aboriginal artists use a variety of line and dot techniques to create their art. I particularly like the line and negative space technique used by Kurun Warun and used variegated silk ribbon in a non-standard way to replicate the technique for this idea of sand, sea and sky.
VISIONS FROM THE THIRD EYE by Janice Wilcock, Rotorua Guild.
550x435mm
Technique: Surface stitch with applique
Inspiration: Idea from a picture of a thinking man. Visions inspired by suggestions from family and friends
Artist’s statement: I used mixed media to enhance the facial shading. To portray the perceptions of vision radiating from the 3rd eye the use of single thread and minimal colours enabled me to demonstrated forcefulness and keep the work delicate. It was challenging and immensely enjoyable with many frustrating moments.
Technique: Surface stitch with applique
Inspiration: Idea from a picture of a thinking man. Visions inspired by suggestions from family and friends
Artist’s statement: I used mixed media to enhance the facial shading. To portray the perceptions of vision radiating from the 3rd eye the use of single thread and minimal colours enabled me to demonstrated forcefulness and keep the work delicate. It was challenging and immensely enjoyable with many frustrating moments.
KERERU - NZ WOOD PIGEON by Pauline Shilton, Tauranga Guild.
310x320mm
Technique: Surface stitch
Inspiration: Seeing a kereru on a bush walk
I love to combine different techniques and materials in my work. Those included in kereru are sashiko, boro, zentangles, tapa cloth, inks, aquarelle pencils and embroidery.
Technique: Surface stitch
Inspiration: Seeing a kereru on a bush walk
I love to combine different techniques and materials in my work. Those included in kereru are sashiko, boro, zentangles, tapa cloth, inks, aquarelle pencils and embroidery.
CYCLE OF LIFE by Sabine Galvin, Wellington Guild.
510x510x40mm
Technique: Beading, machine embroidery on dupion silk. Lights attached at back.
Inspiration: The death of a Bay City Roller.
Artist’s statement: The coloured beads represent the many and varied experiences of life. At the beginning of life we emerge from the pool of light (in the middle) and at the end we return to it. The background waves were taken from a photo of the patterns of sand on a beach.
Technique: Beading, machine embroidery on dupion silk. Lights attached at back.
Inspiration: The death of a Bay City Roller.
Artist’s statement: The coloured beads represent the many and varied experiences of life. At the beginning of life we emerge from the pool of light (in the middle) and at the end we return to it. The background waves were taken from a photo of the patterns of sand on a beach.
AUTUMN COLOURS by Mona Townson, Warkworth Guild.
600mm long
Technique: Spiral peyote stitch with embellishment
Inspiration: The colourful display of autumn leaves at my home
Artist’s statement: I decided to use colour in the choice of beads and gains some movement in the embellished fringe which is the focal point of the necklace to illustrate energy.
Technique: Spiral peyote stitch with embellishment
Inspiration: The colourful display of autumn leaves at my home
Artist’s statement: I decided to use colour in the choice of beads and gains some movement in the embellished fringe which is the focal point of the necklace to illustrate energy.
MARLBOROUGH IN A GLASS by Glenys Fry, Marlborough Guild.
220x315mm
Technique: Machine embroidery and applique on painted background
Inspiration: Inspired by area I live in
Artist’s statement: Each day on my way to work I see these stunning hills and the grapes that change through the seasons. The end result of a season’s work is the sauvignon blanc wine Marlborough is renowned for.
Technique: Machine embroidery and applique on painted background
Inspiration: Inspired by area I live in
Artist’s statement: Each day on my way to work I see these stunning hills and the grapes that change through the seasons. The end result of a season’s work is the sauvignon blanc wine Marlborough is renowned for.
VIEW FROM A BRIDGE by Joanne Saunderson, Hibiscus Coast Guild.
480x510mm
Technique: Machine and hand embroidery
Inspiration: Photographs
Artist’s statement: The result of a challenge to portray a city. I was given Amsterdam. I am enjoying exploring colour and design and my love of fabric and stitch together gave me much joy while in lockdown. I also had fun with perspective and had to play around many times to get it right. I encourage everyone to have a go so we can inspire and be inspired.
Technique: Machine and hand embroidery
Inspiration: Photographs
Artist’s statement: The result of a challenge to portray a city. I was given Amsterdam. I am enjoying exploring colour and design and my love of fabric and stitch together gave me much joy while in lockdown. I also had fun with perspective and had to play around many times to get it right. I encourage everyone to have a go so we can inspire and be inspired.
CHOOSE LIFE by Maree Burnnand, Central Taranaki Guild.
460x360mm
Technique: Tapestry shading and split stitch on canvas with gold leaf and acrylic paint.
Inspiration: Cemetery angels and the choices people make in how they live their lives.
Artist’s statement: It is very easy to take the safe route, become set in our ways, stagnate, but it's just as easy to step outside the comfort zone. Yes, the risk is greater but so are the rewards. So wake up, choose to live, seek new experiences, just CHOOSE LIFE!
Technique: Tapestry shading and split stitch on canvas with gold leaf and acrylic paint.
Inspiration: Cemetery angels and the choices people make in how they live their lives.
Artist’s statement: It is very easy to take the safe route, become set in our ways, stagnate, but it's just as easy to step outside the comfort zone. Yes, the risk is greater but so are the rewards. So wake up, choose to live, seek new experiences, just CHOOSE LIFE!
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
Created by young stitchers from around NZ, this exhibition encouraged young people to be creative during the pandemic lockdowns.
Enjoy...
Enjoy...
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
Congratulations to our lucky prize winners.
1st $150
2nd $100
3rd $50
(one prize per section)
CONGRATULATIONS to Nate Haisman!
7y/o Nate has been voted the overall VIEWERS' CHOICE with his halloween-themed TRICK-OR-TREAT bag.
1st $150
2nd $100
3rd $50
(one prize per section)
CONGRATULATIONS to Nate Haisman!
7y/o Nate has been voted the overall VIEWERS' CHOICE with his halloween-themed TRICK-OR-TREAT bag.
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
Your favourite piece will win a prize of $50... just heart all the pieces you love.
CONGRATULATIONS to Nate Haisman!
7y/o Nate has been voted the overall viewers' choice with his halloween-themed TRICK-OR-TREAT bag.
CONGRATULATIONS to Nate Haisman!
7y/o Nate has been voted the overall viewers' choice with his halloween-themed TRICK-OR-TREAT bag.
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
Children were encouraged to use their imaginations to create whatever they liked. Pieces could be completely original or inspired by other stitch artists or sources. Where possible, all sources have been acknowledged.
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
1st: THERE'S NO PLACE LIKE HOME by Ellie Beever, age 12. Nelson Guild.
170x180mm.
Surface stitch.
Generic house shape from the internet; rest is all her own design. Includes her dog Dash.
Surface stitch.
Generic house shape from the internet; rest is all her own design. Includes her dog Dash.
2nd: PYRAMID OF RAINBOW by Isabella Ogle, age 10. South Taranaki Guild.
140mm base x 210mm high.
Cross stitch, surface stitch and appliqué on a 4-sided pyramid.
Originally a Pincushion by The Birdhouse Patchwork Designs.
Cross stitch, surface stitch and appliqué on a 4-sided pyramid.
Originally a Pincushion by The Birdhouse Patchwork Designs.
3rd: STICK FIGURES OF THE WORLD by Millie Macbrayne, age12. Nelson Guild.
160mm dia.
Surface stitch on felt.
Own design. Drawing stick figures supported by patterns in a kaleidoscope.
Surface stitch on felt.
Own design. Drawing stick figures supported by patterns in a kaleidoscope.
Merit: MASKED MYSTERY by Stefanie Haisman, age 10. South Taranaki Guild.
170x200mm.
Original design. Various surface stitch techniques were used on washaway fabric to create a wearable Venetian mask. Mounted on her own hand-made papier mâché mask.
Original design. Various surface stitch techniques were used on washaway fabric to create a wearable Venetian mask. Mounted on her own hand-made papier mâché mask.
Merit: TRICK OR TREAT by Nate Haisman, age 7. South Taranaki Guild.
VIEWER'S CHOICE PRIZE
350x400mm.
Surface stitch with appliqué on a book bag. Mini vintage trucks through the year (truck) by Buttermilk Basin; house inspired by Halloween; tree own design.
350x400mm.
Surface stitch with appliqué on a book bag. Mini vintage trucks through the year (truck) by Buttermilk Basin; house inspired by Halloween; tree own design.
PRETTY IN PINK by Isla Maclean, age 9. New Plymouth Guild.
140x300mm.
Surface stitch. Inspired by Sue Thomson.
Surface stitch. Inspired by Sue Thomson.
BAG OF GOOD AND EVIL by Claudia Taylor, age 11. New Plymouth Guild.
Bag 250x260mm (hanging 550mm long).
Surface stitch on lined denim bag. Inspired by Harry Potter.
Surface stitch on lined denim bag. Inspired by Harry Potter.
CRAZY LADIES by Sasha Maclean, age 12. New Plymouth Guild.
210x310mm.
Surface stitch. Inspired by Sue Thomson.
Surface stitch. Inspired by Sue Thomson.
Welcome to ANZEG's first Young Persons' Virtual Exhibition.
1st: PAUA THE PUFFER FISH by Amelia Scowen, age 13. Nelson Guild.
190mm dia.
A collage exercise using a circle with a variety of geometric shapes.
Surface stitch and beading, mixed media.
A collage exercise using a circle with a variety of geometric shapes.
Surface stitch and beading, mixed media.
2nd: SUPER SUDOKU by Zoe Carter, age 15. South Taranaki Guild.
200mm sq (embroidery).
Canvaswork inspired by Sudoku Serendipity by Marilyn Owen. Own selection of colours used.
Canvaswork inspired by Sudoku Serendipity by Marilyn Owen. Own selection of colours used.
3rd: ROYAL BLUE WREN by Grace Coogan, age 16. South Taranaki Guild.
180x270mm (embroidery).
Surface stitch. Royal Blue from Inspirations issue 77, originally created by Trish Burr.
Surface stitch. Royal Blue from Inspirations issue 77, originally created by Trish Burr.
Merit: LOST IN SPACE by Serena Stanton, age 13. Nelson Guild.
310x400 (510 inc tails).
Surface stitch and beading.
Inspired by the movie "Up".
Surface stitch and beading.
Inspired by the movie "Up".
RANGI, THE SWAHILLI WORD FOR COLOUR by Amelia Hussey, age 13. Nelson Guild.
210x240mm (embroidery)
This colourful amorphous symmetrical form was the result of a seres of exercises, designed to free up my creative imagination. Uses satin stitch.
This colourful amorphous symmetrical form was the result of a seres of exercises, designed to free up my creative imagination. Uses satin stitch.
DON'T LET ME DISAPPEAR by Josephine King, 14. (Lower Hutt).
280x355mm.
Surface stitch. Inspired by picture from Pinterest.
Hand drawn onto cotton; colours, stitches and wording created by artist.
Surface stitch. Inspired by picture from Pinterest.
Hand drawn onto cotton; colours, stitches and wording created by artist.
A BUCKET OF ME by Keryn Parkin, 14. (Lower Hutt).
200x200x100mm + straps.
Appliqué, machine embroidery and hand surface stitch inspired by her cats (designed in Adobe Illustrator) and icons from the internet.
Appliqué, machine embroidery and hand surface stitch inspired by her cats (designed in Adobe Illustrator) and icons from the internet.
PRIDE GOOSE by Keryn Parkin, 14. (Lower Hutt).
170mm diameter.
Appliqué, surface stitch inspired by 'The Untitled Goose Game' meme.
Appliqué, surface stitch inspired by 'The Untitled Goose Game' meme.
LEAVES IN THE WIND by Keryn Parkin, 14. (Lower Hutt).
255mm sq x 40mm deep.
Appliqué and surface stitch inspired by leaves and nature.
Appliqué and surface stitch inspired by leaves and nature.
BEE LOVED, BEE KIND, BEE WELL by Maddison Henderson, 14. (Wellington).
420mm sq.
Own design inspired by Stitchy Kiwi; I just added the bee quote, found on Pinterest. Surface stitch.
Own design inspired by Stitchy Kiwi; I just added the bee quote, found on Pinterest. Surface stitch.
MATRIARCHAL LINE by Olive Denton-Woolley, 15. New Plymouth Guild.
230x650mm (hanging).
My matriarchal family line inspired by counted stitch band samplers from New Stitches magazine.
My matriarchal family line inspired by counted stitch band samplers from New Stitches magazine.
©Life Repeats Itself Indefinitely by Kim Wood.
WINNER Contemporary exhibition: Hardcore/Taiorere
©Life Repeats Itself Indefinitely by Kim Wood.
Detail of Kim Wood's kaleidescopes - January-June.
©Life Repeats Itself Indefinitely by Kim Wood.
Detail of Kim Wood's kaleidescopes - July-December.
©Strike Off The Dew by Jane Siddall.
Second prize, Contemporary exhibition: Hardcore/Taiorere
©Kate by Deborah Shepherd.
Third prize, Contemporary exhibition: Hardcore/Taiorere
©Birds Core-Us by Robyn Hart
Winner of the Extensions prize, Contemporary exhibition: Hardcore/Taiorere
©Stitch by Jo Dixey.
WINNER: Traditional exhibition - Centre of My World/Rito o te Ao.
Also winner of a Judges' Choice Award.
Long and short stitch.
Also winner of a Judges' Choice Award.
Long and short stitch.
©Candy Floss by Janet Briggs.
2nd prize: Traditional exhibition - Centre of My World/Rito o te Ao. Smocking, shadow work.
©How Will We Survive Without The Bees by Suzanne Lucas.
3rd prize: Traditional exhibition - Centre of My World/Rito o te Ao.
Pulled thread, goldwork and stumpwork.
Pulled thread, goldwork and stumpwork.
©The Red Shed by Kaye Fitchett.
Winner of a Judges' Choice Award.
Surface stitchery on painted fabric.
Surface stitchery on painted fabric.
©Nucleus by Jennifer Reed.
WINNER of the Founders Award, Nucleus/Tumu.
©Family Focus by Freda Brierley.
Winner of a Judges' Choice Award, Founders section.
Machine embroidery from an old family photograph.
Machine embroidery from an old family photograph.
ANZEG Postbag Challenge 2020: Three's Company...Triangles
Welcome to the Virtual Gallery for the 2020 ANZEG Postbag Challenge.
WINNER: ©THREE’S COMPANY, BUT THIS IS A CROWD! by Robyn Hart, Auckland.
100x210mm
This piece started with a marbled fabric and a desire to use lots of different stitches – hence the crowd of stitched triangles.
$120
WINNER – $500 prize sponsored by ANZEG
This piece started with a marbled fabric and a desire to use lots of different stitches – hence the crowd of stitched triangles.
$120
WINNER – $500 prize sponsored by ANZEG
MERIT: ©ANGLES, TANGLES AND TRIANGLES by Dianne Van Brandenburg, Queenstown.
200x250mm
An ancient Japanese legend promises that anyone who folds 1000 origami cranes will be granted a wish by the Gods. When considering triangles I pondered on all the different size triangles produced by folding and making of origami and the disciple and precision of all the straight lines.
NFS
MERIT – $150 prize sponsored by Print Ready
An ancient Japanese legend promises that anyone who folds 1000 origami cranes will be granted a wish by the Gods. When considering triangles I pondered on all the different size triangles produced by folding and making of origami and the disciple and precision of all the straight lines.
NFS
MERIT – $150 prize sponsored by Print Ready
©THE RIVALS by Shuna Giles, Taranaki.
WINNER! Viewer's Choice Prize
370x450mm.
Three’s company does not hold true when one person steps outside the boundaries of a two-person partnership. I conveyed this by depicting the triangles vying for space. An original design in three stitches in tapestry wool and perle thread.
$750
370x450mm.
Three’s company does not hold true when one person steps outside the boundaries of a two-person partnership. I conveyed this by depicting the triangles vying for space. An original design in three stitches in tapestry wool and perle thread.
$750
©SHE LET HER DAUGHTER DO HER HAIR DURING LOCKDOWN by Caroline Strachan, Wellington.
250x200mm.
In desperation we got out the scissors or let a family member do a trim. This lady owl let her daughter loose – to her friends’ amusement. PS, there are triangles in the hair 'do'.
NFS
In desperation we got out the scissors or let a family member do a trim. This lady owl let her daughter loose – to her friends’ amusement. PS, there are triangles in the hair 'do'.
NFS
©BROKEN WINDOW by Wendy Johnstone, Taranaki.
150x260mm
Inspiration came from the ornate windows in an old theatre in Louisville.
NFS
Inspiration came from the ornate windows in an old theatre in Louisville.
NFS
©THREE POINTS WHERE TWO LINES MEET by Maree Burnnand, Taranaki.
300x200mm
Triangles – the strongest shape – till love gets involved. Emotions warp the grain of life, people meet, feelings change, one still haunted by the other.
$350
Triangles – the strongest shape – till love gets involved. Emotions warp the grain of life, people meet, feelings change, one still haunted by the other.
$350
©TRI PODS by Julie Swift, Auckland.
250x310mm
My inspiration for this piece began with my Corn Pad stitch class at Great Escape 2020 that was cancelled due to Covid-19. So with my material and threads already purchased and a book from my guild library I decided to create my own Corn Pad design, simple but effective. I love the strong contrast of colour and once completed I realised the three flowers ‘Tri Pods’ were perfect for the Postbag Challenge.
NFS
My inspiration for this piece began with my Corn Pad stitch class at Great Escape 2020 that was cancelled due to Covid-19. So with my material and threads already purchased and a book from my guild library I decided to create my own Corn Pad design, simple but effective. I love the strong contrast of colour and once completed I realised the three flowers ‘Tri Pods’ were perfect for the Postbag Challenge.
NFS
©TANGLE OF TRIANGLES by Shirley Pygott, Auckland.
150x170mm
I explored the idea of a group of intertwined triangles. There did not seem to be a collective noun for them, but a tangle seems appropriate. Collage of metal thread triangles.
$120
I explored the idea of a group of intertwined triangles. There did not seem to be a collective noun for them, but a tangle seems appropriate. Collage of metal thread triangles.
$120
©TRIO by Linda Inglis, Bay of Plenty.
100x130mm
This challenge spurred me to think laterally, integrating a stitch composition of less is more.
$150
This challenge spurred me to think laterally, integrating a stitch composition of less is more.
$150
©MARLBOROUGH SUMMER by Glenys Fry, Marlborough.
205x190mm.
The hills of Marlborough provide inspiration for all types of embroidery. Looking at the hills you can isolate light, shades and shape.
NFS
The hills of Marlborough provide inspiration for all types of embroidery. Looking at the hills you can isolate light, shades and shape.
NFS
©THREE BEADED TRIANGLES – HANGING OUT TOGETHER by Peta McMillan, Bay of Plenty.
100x250mm, hanging
I love the counted side of beading and its exactness. Very therapeutic and satisfying to the end.
$120
I love the counted side of beading and its exactness. Very therapeutic and satisfying to the end.
$120
©WAITING FOR CHRISTMAS by Jocelyn Whyte, Auckland.
230x330mm
While in ‘lock-up 19’ and missing the outdoors – so looking forward to free movement again – Christmas trees came to mind.
NFS
While in ‘lock-up 19’ and missing the outdoors – so looking forward to free movement again – Christmas trees came to mind.
NFS
©PYRAMID by Pauline Shilton, Bay of Plenty.
310mm base and sides
My pyramid is made up of random pieced triangles, embellished with hand embroidery.
NFS
My pyramid is made up of random pieced triangles, embellished with hand embroidery.
NFS
©TRIANGLES GALORE by Julie Swift, Auckland.
310x230mm
I created this piece of work in surface stitch, which is my favourite style of embroidery. I was inspired to do this while looking at pictures of cats, another passion of mine, and found I could create with lots and lots of triangles the ‘purrfect’ family.
NFS
I created this piece of work in surface stitch, which is my favourite style of embroidery. I was inspired to do this while looking at pictures of cats, another passion of mine, and found I could create with lots and lots of triangles the ‘purrfect’ family.
NFS
©WE STITCH by Sophie Willis, Manawatu.
240x200mm
I have used this saying several times for friends on significant occasions, and share it again here.
$75
I have used this saying several times for friends on significant occasions, and share it again here.
$75
©TRIANGLE SPIRALS by Jo Ann Ingram, Bay of Plenty.
210x297mm.
A YouTube video by Jon Harris inspired me to try his drawing of these in stitch.
$70
A YouTube video by Jon Harris inspired me to try his drawing of these in stitch.
$70
©MĀORI WHARE by Helen Milbank, Auckland.
340x220mm.
After numerous visits to Rotorua, my embroidery is a reminder of the Maori building, the carving and the geothermal activity of the area.
NFS
After numerous visits to Rotorua, my embroidery is a reminder of the Maori building, the carving and the geothermal activity of the area.
NFS
©MY 3 SONS by Liz Wilson, Bay of Plenty.
310x340mm.
My 3 sons: so different, each taking their own direction in life but linked by a common thread, to a common hub.
NFS
My 3 sons: so different, each taking their own direction in life but linked by a common thread, to a common hub.
NFS
©YOU CHOOSE by Barbara Eckford, Queenstown.
530x300mm.
The three faces of cannabis use in New Zealand are: NFS
1. Current prohibition – ruled by violence, involving strict law enforcement;
2. Medicinal cannabis – ruled by doctors since April 1, 2020;
3. Legislation – ruled by the proposed Cannabis Legislation and Control Bill, via a referendum, at election (October 2020).
Please do your homework and vote – You Choose!
NFS
The three faces of cannabis use in New Zealand are: NFS
1. Current prohibition – ruled by violence, involving strict law enforcement;
2. Medicinal cannabis – ruled by doctors since April 1, 2020;
3. Legislation – ruled by the proposed Cannabis Legislation and Control Bill, via a referendum, at election (October 2020).
Please do your homework and vote – You Choose!
NFS
OUTSIDE THE SQUARE
The ANZEG Postbag Shape Challenge for 2019 was 'Outside The Square'. This was exhibited at the Craft and Quilt Fair, Hamilton, in September 2019.
WINNER: ©EXPLORE by Dawn Nicholl.
CHALLENGE WINNER
I was thinking as soon as I knew the title of the exhibition that some sort of abstract world needed to be swirling out of a square so I started scribbling a swirling design. Then the shapes started to take on the shapes of a goose and a dog. I went with that and it developed as you see. 240x310mm.
I was thinking as soon as I knew the title of the exhibition that some sort of abstract world needed to be swirling out of a square so I started scribbling a swirling design. Then the shapes started to take on the shapes of a goose and a dog. I went with that and it developed as you see. 240x310mm.
©NO-ONE FITS IN THE BOXES by Jo Dixey.
PRINT READY MERIT AWARD
Society creates many boxes that people are expected to fit in, but in fact no one ever really fits exactly into any of them. Some people use up lots of energy trying to fit into these boxes when it's much better to be ourselves and live outside the box. 110x160mm.
Society creates many boxes that people are expected to fit in, but in fact no one ever really fits exactly into any of them. Some people use up lots of energy trying to fit into these boxes when it's much better to be ourselves and live outside the box. 110x160mm.
©FLOWERS IN HER HAIR by Amber McIntosh.
VIEWERS' CHOICE AWARD
I believe women of all ages and ethnic backgrounds look beautiful with flowers in their hair. Whether it be for a wedding, special cultural or religious ceremonies or simply making a daisy chain as a child, wearing flowers is a treat. This piece is a reflection of how we decorate our hair with the beauty of flowers. 260x455mm.
I believe women of all ages and ethnic backgrounds look beautiful with flowers in their hair. Whether it be for a wedding, special cultural or religious ceremonies or simply making a daisy chain as a child, wearing flowers is a treat. This piece is a reflection of how we decorate our hair with the beauty of flowers. 260x455mm.
©STITCH SAMPLER – OUTSIDE THE SQUARE by Peta McMillan.
My love of traditional embroidery and stitches led me to stitch this piece as a square sampler using a variety of threads, both solid and variegated in differing weights. All my stitching is ‘outside the square’ of bare fabric. I thoroughly enjoyed every stitch and felt quite sad when I had completed it. 270mm square.
©BREAKOUT EWE! by Beryl Plimmer.
The square grey ewes inside the square are a metaphor for how the world sees us: old grey-haired women. The Breakout Ewe embellishes herself with colour and bling, thus unleashing her self-expression. Many women, in many cultures, feel they are chained inside the square. Stitchery is often one small way for them to express themselves. 255x255x40mm.
©NOT SO SQUARE CATS by Griet Lombard.
Something from nothing; I made these cats with mostly recycled fabrics and threads – op shop finds, mens’ ties, scraps of old suiting fabric, orphaned fabric and scraps no one else wanted.
215x635mm.
215x635mm.
©CASCADES by Linda Inglis.
I wanted to create a piece that literally cascades towards the viewers, enticing them to consider the work inquisitively. Although jagged in appearance, the use of olive dyed threads and soft textured silk produces a serenity and peacefulness within the artwork.
Olive dyed textured silk with surface embroidery and embellishment. 230x230x30mm.
Olive dyed textured silk with surface embroidery and embellishment. 230x230x30mm.
©THE INVASIVE VINE by Helen Milbank.
While out on my morning walks, I noticed this pretty but invasive vine growing up trees and in hedges. This gave me the inspiration to create the embroidery attached to wire rather than the usual medium/material.
260mm dia.
260mm dia.
©KĀHU by Caroline Strachan.
Australian harrier. Free-hanging wall piece. Mixed threads, stiffened cotton backing and wrapped wire.
270x155mm.
270x155mm.
©ALEX IN WONDERLAND by Leah Hartley.
Alex crawls outside the square and like Alice falling down the rabbit hole in the story, 'Alice in Wonderland' by Lewis Carroll, she discovers a landscape that has quite an unusual arrangement.
230x310mm.
230x310mm.
©THINK OUTSIDE THE SQUARE by Carol Curtis.
Living in a motorhome with limited access to materials, this piece was designed and stitched with having to use what was at hand. The design and colour was inspired by the recent 2019 fires and the people, pets and farm animals that had to be evacuated and rehomed for a time. 200mm dia.
©A KALEIDOSCOPE OF SQUARES by Shuna Giles.
A touch of irony was used for thsi piece by designing a circle of squares, which provided a challenge. Kaleidoscopic designs fascinate me. The drawing technique described in 'Kaleidometrics' by Sheilah Shaw was the design source. Variegated threads were used to enhance the feeling of movement.
315x310mm.
315x310mm.
©CELESTIAL FANTASY by Jennifer Kirker.
The sparkle of the night sky was my inspiration. Thoughts of comets, auroras and stars followed, spilling out of the night square into a fantasy of colour.
230x310mm.
230x310mm.
©SUNSHINE AND SHADOWS by Lynda Collins.
A tatted work of gold and blue shades representing sunlight and night light. Small butterflies out during sunlight hours and spiders appearing in the evening hours.
220mm square.
220mm square.
©SEW WHAT! by Alison Wilson.
As long as there is an opportunity to play with canvas stitches plus colour. I love to collect gum leaves - such variations of shape and colour - and they stitch through well. So here was a chance to include them once again and reduce my stash.
215x310mm.
215x310mm.
©THE WILDFIRES LEFT ONLY SCRAPS by Annette Garcia.
My response to the Tasman wildfires, February/March 2019. After the flames we still had embers, wind blown smoke, obvious control lines, scorched earth and collapsed fences. Stitched using perle thread and beads on recycled cotton with scraps of organza and cotton fabrics.
250x240mm.
250x240mm.
©BORN FREE by Robyn Hart.
A fun stitchery using iconic New Zealand birds to show they are unique and definitely 'outside the square'.
290mm diamond x 40mm.
290mm diamond x 40mm.
©OUTSIDE THE SQUARE SEWING BOX by Barbara Johns.
There is always more stash outside my sewing box than in it. My stash on this occasion consists of hand stitching, tatting, Dorset buttons and needlelace edgings. The background is handpainted fabric etched with more contents of my sewing box.
150mm sq x 45mm.
150mm sq x 45mm.
©MY LOOONG LAVENDER BLUE by Janice Webster.
My inspiration for my embroidery was seeing a ceramic decorative set of small tiles - I thought that I could do the same in stitchery. The long narrow panel is worked in two stitches and limited colours. It is best hung in a narrow area of wall, eg next to a door.
60x1310mm.
60x1310mm.
©OUTSIDE THE SQUARE - FREEDOM by Paula Hucklesby.
The butterflies have escaped from the square and fly off into the world. Tatting (a needle craft) is 'outside the square' for embroidery. Thinking 'outside the square' gives us freedom in our stitching.
150x305x35mm.
150x305x35mm.
©INSIDE THE SQUARE by Diane Wilson.
Crossword and word search puzzles are a favourite past time and the inspiration for this piece. Individually stitched letter tiles have been added to the square grid background which just proves I have difficulty breaking 'outside the square'.
205mm square.
205mm square.
©LIVING OUTSIDE THE SQUARE by Catherine Ashton.
'Outside the Square' immediately made me think of a village green, the centre and heart of the village. People live in their own little houses but are still part of the whole village, living outside the square that holds them all together - hence 'living outside the square'.
255mm square.
255mm square.
©AROHA AND FLOWERS by Barbara Eckford.
March 15, 2019 our hearts were murderously fractured. Yet, it won't be until ALL peoples are healed that the heart of our nation will be restored to an even keel. After all, who is it exactly, who lives outside the square? For Asha, my granddaughter - my inspiration, our future.
225mm square.
225mm square.
©OUTSIDE by Wendy Johnstone.
Inspiration comes from any source and at any time and looking out of a window we see different things and a colourful garden can stir the imagination. As I go walking the colour, reflections and varying textures are always a catch for a creative eye.
210mm square.
210mm square.
ANZEG Postbag Challenge 2021: Diamonds are a Girl's Best Friend
Welcome to the Postbag Challenge Gallery.
Remember, you can vote for your favourite pieces using the Heart icon at the top... the most hearts at 5pm on Friday October 15 wins $50!
Enjoy...
Remember, you can vote for your favourite pieces using the Heart icon at the top... the most hearts at 5pm on Friday October 15 wins $50!
Enjoy...
ANZEG Postbag Challenge 2021: Diamonds are a Girl's Best Friend
Congratulations to our winners!
Remember, you can vote for your favourite pieces using the Heart icon at the top... the most hearts at 5pm on Friday October 15 wins $50!
Remember, you can vote for your favourite pieces using the Heart icon at the top... the most hearts at 5pm on Friday October 15 wins $50!
© OO-LA-LA by Tina Ward, South Waikato.
OVERALL WINNER: ANZEG Prize ($500)
1st: Sewing Supplies Prize ($300)
August 19 is World Orangutan Day, where we celebrate one of the world’s most intelligent primates. And what better was to celebrate than with some bling?!
260x215mm.
NFS
1st: Sewing Supplies Prize ($300)
August 19 is World Orangutan Day, where we celebrate one of the world’s most intelligent primates. And what better was to celebrate than with some bling?!
260x215mm.
NFS
© OO-LA-LA by Tina Ward, South Waikato.
Details - you can Heart this slide if you like it, but the votes won't count.
© A Night To Sparkle by Amber McIntosh, Mana.
Print Ready Merit Award ($150)
Every girl dreams of wearing a beautiful sparkling gown at some stage in their lives. To have the chance to twirl and shimmer softly in the light at a special occasion is a wonderful experience.
300x430mm.
NFS
Every girl dreams of wearing a beautiful sparkling gown at some stage in their lives. To have the chance to twirl and shimmer softly in the light at a special occasion is a wonderful experience.
300x430mm.
NFS
© A Night To Sparkle by Amber McIntosh, Mana.
Details - you can Heart this slide if you like it, but the votes won't count.
© Diamonds Of Disguise by Shirley Pygott, Warkworth.
2nd: Sewing Supplies Prize ($150)
I was inspired by the harlequin pattern of repeating diamonds, and the Baroque–style decoration on Venetian masks. Unlike the diamonds design to attract attention with brilliant sparkle, these are ones a girl can hide behind, should the need arise. Silk shading and metal thread.
220x170x55mm.
NFS
I was inspired by the harlequin pattern of repeating diamonds, and the Baroque–style decoration on Venetian masks. Unlike the diamonds design to attract attention with brilliant sparkle, these are ones a girl can hide behind, should the need arise. Silk shading and metal thread.
220x170x55mm.
NFS
© Diamonds Of Disguise by Shirley Pygott, Warkworth.
Details - you can Heart this slide if you like it, but the votes won't count.
© Which One To Choose? by Joanne Saunderson, Hibiscus Coast.
3rd: Sewing Supplies Prize ($100)
So many colours and so many shapes, my challenge was to make it sparkle like diamonds, which I did with the use of threads and beads.
150x200mm.
$200
So many colours and so many shapes, my challenge was to make it sparkle like diamonds, which I did with the use of threads and beads.
150x200mm.
$200
© Which One To Choose? by Joanne Saunderson, Hibiscus Coast.
Details - you can Heart this slide if you like it, but the votes won't count.
© Look Girls, My Little Diamonds by Dawn Nicholl, Whangarei.
Because I have been doing a bird book I have birds on the brain. That’s why my thought of this. I’ve used silk threads to get the facets of the gems glowing.
240mm dia.
NFS
240mm dia.
NFS
© Ice Maiden by Linda Inglis, Tauranga.
Felted stitched jeweled wrap giving ‘Ice Maiden’ warmth and security.
130x250x40mm.
NFS
130x250x40mm.
NFS
© Diamonds by Karen Munro, Maniototo.
The purple diamond in the centre was the starting point, to learn different embroidery stitches and designed worked out as I went, plus threads, to make a journal cover.
310x205mm.
NFS
310x205mm.
NFS
© Diamonds by Karen Munro, Maniototo.
Details - you can Heart this slide if you like it, but the votes won't count.
© Diamonds In Red by Olwyn Horwood, North Shore.
Piece of work grew from diamond shapes with various stitches worked in silk threads red and cream. Edging is ‘twisted up and down buttonhole’.
225x240mm.
NFS
225x240mm.
NFS
© Regent by Robyn Hart, Auckland.
This canvaswork design (my challenge for this year) is based on an image of the ‘Regent Diamond’ which was discovered in 1698 and is on display at the Louvre in Paris.
140mm sq.
$150
140mm sq.
$150
© Lolly Pink With Bling by Caroline Strachan, Upper Hutt.
This is purely abstract using diamond shapes and those two girls’ best friends; pink and bling. 150x50mm.
$120
$120
© Diamonds Are For Wearing by Cheryl Curtis, Nelson.
My inspiration is from Marilyn Monroe silhouette, showcasing diamonds, with diamond pattern long stitch background done on painted canvas.
250mm sq.
$250
250mm sq.
$250
© Playing With Diamonds by Jennifer Kirker, Warkworth.
Drawn to the diamond shape, I used colour and sparkle to create the sign of love.
155x190mm.
$50
155x190mm.
$50
© Who Is Your Diamond? by Glenys Fry, Marlborough.
When considering the theme of this challenge I was struck by the idea that all “girls” no matter their age have a best friend or two that are absolute diamonds. They are with us through the good times and the bad, they shine and make us smile. That was the starting point of this piece of work.
410x300mm.
$150
410x300mm.
$150
© The Rarest by Shuna Giles, New Plymouth.
Pink and Red diamonds are the rarest in the world. Mine may not be real but they gave me a great deal of pleasure while designing and stitching the piece.
240x370mm.
$750
240x370mm.
$750
© Even The Christmas Fairy And The Tree by Helen Milbank, Auckland.
While in a garden centre I saw a fairy hanging on one of their Christmas Trees and thought how we dress the fairies and the trees themselves in sparkles like diamonds, thus the inspiration for my piece.
160x210x30mm.
NFS
160x210x30mm.
NFS
© Dainty Diamonds by Louise Shelton, Nelson.
Most diamonds are worn on the hand to embellish what I consider an amazing part of the body, which works more than any other body part.
180x230mm.
$40
180x230mm.
$40
© Sparkling Performance by Felicity Willis, South Taranaki.
Marilyn Monroe’s iconic performance of Diamonds Are A Girl's Best Friend inspired my research and I was fascinated by the numerous ways a diamond could be cut.
500x300mm.
NFS
500x300mm.
NFS
© Sparkling Performance by Felicity Willis, South Taranaki.
Detail - you can Heart this slide if you like it, but the votes won't count.
1/24
ANZEG Extensions national exhibition, Material Evidence.
WINNER: ELEMENTAL by Coromandel EG Extensions group.
Inspired by fellowship, diversity, creativity and environs.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
Detail from Coromandel Embroiderers' Guild Extensions Group's piece, Elemental.
RUNNER-UP: ©STITCH BUGS by Linda Inglis, Tauranga.
Inspiration: To resolve a work looking through a magnifying glass.
MERIT: ©GETTING AROUND (IN MY HONDA) by Donna Kennedy, Kapiti.
Inspired by an invoice from her Honda maintenance repairs.
MERIT: ©THE EIGHTH DAY by Caroline Strachan, Upper Hutt.
Inspired by the phases of the earth. Toihu ha Kaianga, whatungarongaro he tangata (The land still remains when people have disappeared). Earth has been around for about 4500m years, it has gone through many phases. The scroll represents the geological timescale.
©1400 FRAGMENTS by Betty Smythe, Palmerston North.
Inspired by the precious metal fittings stripped from Saxon weapons that comprise the Staffordshire Hoard.
©A SLOW MINUET FOR A WOMAN by Jane Woodhall, Kapiti.
Inspired by old maps and Baroque dance notation to explore the evidence of a planting contract between me and my land. (Stitched in the 17th century style).
©BACKBONE by Pauline Shilton, Tauranga.
Inspired by the patterns formed on the naturally-dyed silk.
©BEACHCOMBING – EVIDENCE OF MAN’S FOOTPRINT ON OUR PLANET by Judith Balchin, Manawatu.
Inspiration: I was walking down the beach one day when I found, to my dismay, plastic wrappers, jandals, nylon, fish hooks, glass and bottle tops. Wonder why the birds cry this way!
©CRYSTAL by Kim Hayes, Whangarei.
Inspiration: Elizabeth Taylor, beads and all things shiny.
©DEATH IN WINTER by Mona Townson, Warkworth.
Inspired by a scene from her childhood in the outback of the South Island high country.
©END OF SUMMER by Glenys Fry, Marlborough.
Inspiration: Found in stash – sun-dyed fabric and printed seed heads.
©EVIDENCE FROM A WEDDING by Jean Arnott, Manawatu.
Inspiration: Mother’s stories with some receipts and material scraps left over from her wedding dress.
©EVIDENCE I PAID FOR MY MATERIAL THINGS by Sandra Hall, Manawatu.
Inspiration: ‘I want it, I need it, it’s smooth, textural, tactile, right colour, pretty, perfect for my next project. But do I really need it?’ ‘YES!!’ (fabric chatterboxes).
©EVIDENCE OF A DOODLE BRAIN by Dawn Nicholl, Whangarei.
Inspired by small scraps of fabric.
©EVIDENTIAL SWATCH by Shirley Pygott, Warkworth.
Inspired by the changing attitudes portrayed in the hand-embellishment of clothing over a 30-year timeframe. Includes vintage fabrics, transfers, patterns and research.
©MAGPIE EVIDENCE: IT’S IN THE MATERIAL by Felicity Willis, Hawera.
Inspiration: Inspired by photographs of the feisty magpies on our farmlet who regularly check out our garden and the cats. Magpies are celebrated in myth and magic and renowned for their curiosity and propensity to collect objects in their nests. Embroiderers are magpie too – collecting all things textile.
©MATERIAL EVIDENCE THAT SUMMER IS OVER by Carole Dewe, East Auckland.
Inspired by autumn walks around her home area.
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